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Sound and music biases in deep music transcription models: a systematic analysis

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Paper year

2025

Citations

1

Authors

0

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0

Paper ID: W4417222068edge sliceunknown source slug

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unknown

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Run shadow-generalization-product-candidate-ranking-v1Top 50 surfaced

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Run label

shadow-generalization-product-candidate-ranking-v1

Snapshot

source-snapshot-shadow-generalization-v1-20260521

Scope: family global | run rank-83787b91ef

Emerging

Present in run, outside top 50

0.210

Emerging: embedding slice fit vs included-corpus centroid (title+abstract), plus citation velocity and topic growth; not universal relevance. Bridge signal not used here.

Signals: semantic=0.8992, citation_velocity=0.0600, topic_growth=0.0000, diversity_penalty=0.0000

Why this surfaced | 3 used | 1 penalty | 1 not computed
Embedding slice fit (corpus centroid)used

Embedding slice fit (corpus centroid): high; used in final ranking (contribution to score: 0.1798)

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Bridge

Present in run, outside top 50

-0.179

Multi-topic paper in active topics; no cluster_version on this run so bridge_score was not computed.

Signals: citation_velocity=0.0600, topic_growth=0.0000, diversity_penalty=1.0000

Why this surfaced | 2 used | 1 penalty | 2 not computed
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Recent attentionused

Recent attention: low; used in final ranking (contribution to score: 0.0210)

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Topic momentum: low; used in final ranking (contribution to score: 0.0000)

Cross-cluster signalnot computed

Cross-cluster signal: not computed for this run

Topic breadth penaltypenalty

Topic breadth penalty: reduces score when non-zero (contribution to score: -0.2000)

Abstract

Automatic Music Transcription (AMT)-the task of converting music audio into note representations - has seen rapid progress, driven largely by deep learning systems. Due to the limited availability of richly annotated music datasets, much of the progress in AMT has been concentrated on classical piano music, and even a few very specific datasets. Whether these systems can generalize effectively to other musical contexts remains an open question. Complementing recent studies on distribution shifts in sound (e.g., recording conditions), in this work we investigate the musical dimension-specifically, variations in genre, dynamics, and polyphony levels. To this end, we introduce the MDS corpus, comprising three distinct subsets-(1) genre, (2) random, and (3) MAEtest-to emulate different axes of distribution shift. We evaluate the performance of several state-of-the-art AMT systems on the MDS corpus using both traditional information-retrieval and musically informed performance metrics. Our extensive evaluation isolates and exposes varying degrees of performance degradation under specific distribution shifts. In particular, we measure a note-level F1 performance drop of 20 percentage points due to sound, and 14 due to genre. Generally, we find that dynamics estimation proves more vulnerable to musical variation than onset prediction. Musically informed evaluation metrics, particularly those capturing harmonic structure, help identify potential contributing factors. Furthermore, experiments with randomly generated, non-musical sequences reveal clear limitations in system performance under extreme musical distribution shifts. Altogether, these findings offer new evidence of the persistent impact of the corpus bias problem in deep AMT systems.

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