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2026
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A Multidimensional MIR Analysis of Acoustic, Linguistic and Cultural Gaps Between Maskandi and Western Music Genres
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Abstract
Contemporary Music Information Retrieval (MIR) and Natural Language Processing (NLP) systems are increasingly applied to diverse musical traditions, yet they are largely grounded in Western musical and linguistic assumptions. This study examines whether commonly used MIR features and multilingual NLP models adequately represent the acoustic, linguistic, and cultural structures of Maskandi music in comparison to Western music and identifies where representational gaps and biases arise. A multidimensional framework was employed, comprising acoustic and structural MIR analysis, linguistic and semantic lyrical analysis, and bias analysis. A curated dataset of 60 recordings and corresponding lyrics was analysed using rhythm and beat features, pitch contour measures, structural self-similarity, timbre embeddings, semantic similarity, lexical diversity, metaphor density, topic modelling, multilingual embeddings, and dataset-level audits. The results reveal systematic representational failures: beat tracking showed lower median IOI coefficient of variation for Maskandi (0.028) versus Western music (0.040, p = 0.0199) yet exhibited greater algorithmic instability, tempo averaged 131.16 BPM versus 111.69 BPM (p = 0.000262), pitch glide proportions were significantly higher in Maskandi (0.34 vs. 0.16), on-beat energy ratios differed substantially (2.26 vs. 1.19, p < 0.0000007), semantic similarity revealed high intra-genre coherence for Maskandi (0.73) versus Western (0.25), metaphor density approached zero in Maskandi versus up to 7 per 100 words in Western lyrics, topic modeling produced two compact clusters for Maskandi versus 6 dispersed clusters for Western, timbre embeddings achieved a 0.405 silhouette score, dataset audits revealed 0% Maskandi representation across seven major MIR corpora with African traditions comprising <3%. The study concludes that statistical separability does not imply representational adequacy and highlights the need for culturally grounded MIR and NLP representations to support diverse musical traditions.
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