Paper dossier

Music Information Retrieval and Contemporary Classical Music: A Successful Failure

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Paper year

2020

Citations

8

Authors

1

Topic labels

3

Source readout

Source and corpus status

Venue

Transactions of the International Society for Music Information Retrieval

Source slug

tismir

Corpus placement

Core corpus

Similarity rows

6

Ranking readout

Where this paper lands in the current run

Run shadow-generalization-product-candidate-ranking-v1Top 50 surfaced

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Families present

0

Top 50

0

Run label

shadow-generalization-product-candidate-ranking-v1

Snapshot

source-snapshot-shadow-generalization-v1-20260521

Scope: family global | run rank-83787b91ef

Emerging

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n/a

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Bridge

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n/a

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Abstract

This paper is about the story of my relationship, as a contemporary music composer, with computational tools that are situated in the areas of signal processing, machine learning and music information retrieval (MIR). I believe that sharing this story can be useful to the MIR community since it illustrates the problems that can arise when you try to use these techniques in the context of contemporary music creation. Since this is a personal story, I will refer to experiences that I had during about fifteen years of usage of MIR-related technologies. I will show how these technologies tried to (unsuccessfully) shape my musical thinking and why I believe that some of them have come to an end. Finally, I will propose new possible directions for the future of MIR.

Authors

  • Carmine-Emanuele Cella

Neighborhood labels

Topics

3 labels

Topic labels are imported metadata and can be noisy; use them as coarse navigation hints, not authoritative classifications.

Music and Audio ProcessingMusic Technology and Sound StudiesDiverse Musicological Studies

Neighbor surface

Similar papers

6 total neighborsEmbedding v1-title-abstract-1536-cleantext-r3

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