Paper dossier

PiJAMA: Piano Jazz with Automatic MIDI Annotations

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Paper year

2023

Citations

13

Authors

3

Topic labels

3

Source readout

Source and corpus status

Venue

Transactions of the International Society for Music Information Retrieval

Source slug

tismir

Corpus placement

Core corpus

Similarity rows

6

Ranking readout

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Run shadow-generalization-product-candidate-ranking-v1Top 50 surfaced

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Top 50

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Run label

shadow-generalization-product-candidate-ranking-v1

Snapshot

source-snapshot-shadow-generalization-v1-20260521

Scope: family global | run rank-83787b91ef

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Abstract

Recent advances in automatic piano transcription have enabled large scale analysis of piano music in the symbolic domain. However, the research has largely focused on classical piano music. We present PiJAMA (Piano Jazz with Automatic MIDI Annotations): a dataset of over 200 hours of solo jazz piano performances with automatically transcribed MIDI. In total there are 2,777 unique performances by 120 different pianists across 244 recorded albums. The dataset contains a mixture of studio recordings and live performances. We use automatic audio tagging to identify applause, spoken introductions, and other non-piano audio to facilitate downstream music information retrieval tasks. We explore descriptive statistics of the MIDI data, including pitch histograms and chromaticism. We then demonstrate two experimental benchmarks on the data: performer identification and generative modeling. The dataset, including a link to the associated source code is available at https://almostimplemented.github.io/PiJAMA/.

Authors

  • Drew Edwards
  • Simon Dixon
  • Emmanouil Benetos

Neighborhood labels

Topics

3 labels

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Music and Audio ProcessingMusic Technology and Sound StudiesDiverse Musicological Studies

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6 total neighborsEmbedding v1-title-abstract-1536-cleantext-r3

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