Paper dossier

Jazz Trio Database: Automated Annotation of Jazz Piano Trio Recordings Processed Using Audio Source Separation

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Paper year

2024

Citations

4

Authors

4

Topic labels

3

Source readout

Source and corpus status

Venue

Transactions of the International Society for Music Information Retrieval

Source slug

tismir

Corpus placement

Core corpus

Similarity rows

6

Ranking readout

Where this paper lands in the current run

Run shadow-generalization-product-candidate-ranking-v1Top 50 surfaced

This block uses the same resolved ranking run as Recommended. Ranks here are materialized paper_scores ranks; live Emerging may be reordered by the bounded ML scorer. Family rank is global within each family, but rank is only shown when this paper lands inside the surfaced top 50.

Families present

3

Top 50

2

Run label

shadow-generalization-product-candidate-ranking-v1

Snapshot

source-snapshot-shadow-generalization-v1-20260521

Scope: family global | run rank-83787b91ef

Emerging

In top 50 at rank 24

0.460

Emerging: embedding slice fit vs included-corpus centroid (title+abstract), plus citation velocity and topic growth; not universal relevance. Bridge signal not used here.

Signals: semantic=0.8229, citation_velocity=0.1600, topic_growth=0.7178, diversity_penalty=0.0000

Why this surfaced | 3 used | 1 penalty | 1 not computed
Embedding slice fit (corpus centroid)used

Embedding slice fit (corpus centroid): high; used in final ranking (contribution to score: 0.1646)

Recent attentionused

Recent attention: low; used in final ranking (contribution to score: 0.0800)

Topic momentumused

Topic momentum: high; used in final ranking (contribution to score: 0.2153)

Cross-cluster signalnot computed

Cross-cluster signal: not computed for this run

Similarity penaltypenalty

Similarity penalty: reduces score when non-zero (contribution to score: 0.0000)

Bridge

In top 50 at rank 44

0.523

Multi-topic paper in active topics; no cluster_version on this run so bridge_score was not computed.

Signals: citation_velocity=0.1600, topic_growth=0.7178, diversity_penalty=0.0000

Why this surfaced | 2 used | 1 penalty | 2 not computed
Semantic matchnot computed

Semantic match: not computed for this run

Recent attentionused

Recent attention: low; used in final ranking (contribution to score: 0.0560)

Topic momentumused

Topic momentum: high; used in final ranking (contribution to score: 0.4665)

Cross-cluster signalnot computed

Cross-cluster signal: not computed for this run

Topic breadth penaltypenalty

Topic breadth penalty: reduces score when non-zero (contribution to score: 0.0000)

Under-cited

Present in run, outside top 50

0.389

Low-cite candidate pool (see docs/candidate-pool-low-cite.md v0): core corpus, recency floor, citation ceiling, title+abstract gate; popularity penalty among pool members only. Semantic and bridge not yet modeled.

Signals: citation_velocity=0.1600, topic_growth=0.7178, diversity_penalty=0.6477

Why this surfaced | 2 used | 1 penalty | 2 not computed
Semantic matchnot computed

Semantic match: not computed for this run

Recent attentionused

Recent attention: low; used in final ranking (contribution to score: 0.0480)

Topic momentumused

Topic momentum: high; used in final ranking (contribution to score: 0.5024)

Cross-cluster signalnot computed

Cross-cluster signal: not computed for this run

Pool popularity penaltypenalty

Pool popularity penalty: reduces score when non-zero (contribution to score: -0.1619)

Abstract

Recent advances in automatic music transcription have facilitated the creation of large databases of symbolic transcriptions of improvised music forms including jazz, where traditional notated scores are not normally available. In conjunction with music source separation models that enable audio to be "demixed" into separate signals for multiple instrument classes, these algorithms can also be applied to generate annotations for every musician in a performance. This can enable the analysis of interesting performer-level and ensemble-level features that have often been difficult to explore. To this end, we introduce Jazz Trio Database (JTD), a dataset of 44.5 h of jazz piano solos accompanied by bass and drums, with automatically generated annotations for each performer. These annotations consist of onset, beat, and downbeat timestamps, alongside MIDI for the piano soloist. Suitable recordings, broadly representative of the "straight-ahead" jazz style, were identified by scraping user-based listening and discographic data; source separation models were applied to isolate audio for each performer in the trio; annotations were generated by applying appropriate algorithms to both the separated and the mixed audio sources. Onset annotations generated by the pipeline achieved a mean F-measure of 0.94 when compared with ground truth annotations. We conduct several analyses of JTD, including with relation to swing and inter-performer synchronization. We anticipate that JTD will be useful in a variety of music information-retrieval tasks, including artist identification and expressive performance modeling. We have made JTD, including the annotations and associated source code, available at https://github.com/HuwCheston/Jazz-Trio-Database

Authors

  • Huw Cheston
  • Joshua L. Schlichting
  • Ian Cross
  • Peter M. C. Harrison

Neighborhood labels

Topics

3 labels

Topic labels are imported metadata and can be noisy; use them as coarse navigation hints, not authoritative classifications.

Music and Audio ProcessingMusic Technology and Sound StudiesSpeech and Audio Processing

Neighbor surface

Similar papers

6 total neighborsEmbedding v1-title-abstract-1536-cleantext-r3

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